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Binding: Hardcover
EAN: 9781841154756
ISBN: 184115475X
Label: Fourth Estate Ltd
Manufacturer: Fourth Estate Ltd
Number Of Pages: 624
Publication Date: March 03, 2008
Publisher: Fourth Estate Ltd
Studio: Fourth Estate Ltd
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This is a huge subject, and Alex Ross does a great job of covering it. Not everyone will be happy if their pet composer or movement has been tackled only briefly (if at all), but it would be impossible to fit the entire century into a single volume. As a result of reading this I have been moved to listen to Schoenberg and Strauss (esp. the Metamorphosen) for the first time; they are challenging works but rewarding and it has been great to have my musical horizons expanded by reading this book. ...
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A communal review for the Cote d'Azure Men's book group of
The Rest is Noise by Alex Ross
Written for the book group by Sidney Freedman and Barry Hibbitt
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Given that whole books could be written about virtually every single composer Alex Ross mentions in this mammoth survey, you'd be forgiven for thinking that 'The Rest is Noise' would be heavy on filler and light on critical insight. Whilst it's fair to say that as the musical world diversifies post-1950, Ross spends less and less time looking at the work of individual composers - this should take nothing away from an astounding work of scholarship.
Like any critic, Ross clearly has his ...
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Made possible by the exacting editors at The New Yorker, where most of it appeared first, this once-over-very-lightly survey of 20th century Western music begins with the first stirrings of modernity in Bayreuth and Paris circa 1880 and takes us up to now, when new classical work is largely consigned to movie soundtracks.
The real story since 1950 is the discovery of so much forgotten classical past, and the careful efforts to recreate its original sound in recordings. We experience classical ...
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For anyone at all interested in music from the twilight of Romanticism until the present this is a must read. Ross's compendious knowledge and mastery of his material makes this book both compulsive and a pleasure. Choosing to anchor the century in a performance of Strauss's Salome in Graz in 1906, the author introduces not only the key composers of the time - Strauss, Mahler and Schoenberg - but hovering the distance, the young Adolf Hitler. (Whether Hitler really did attend is not known - but Ross's point ...
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